Lynn H. Elliott’s script “Ghost Town, NM” is a delightful rollercoaster ride that skillfully intertwines family drama, cultural collisions, and ghostly adventures. The story, set in a whimsical ghost town in New Mexico, brings together a diverse cast of characters and delivers a narrative that is both imaginative and emotionally engaging. Through its blend of heartfelt moments and eccentric humor, Elliott’s work stands as a testament to her ability to craft a story that resonates with audiences on multiple levels.
At its core, the script centers on Amisha Patel, a young Indian-American woman who finds herself torn between her family’s traditional expectations and her own pursuit of independence and love. Her decision to flee with Juan, a charismatic Latino raised in a ghost town commune, sets off a chain reaction of comedic and chaotic events. Elliott masterfully weaves cultural nuances and personal dilemmas into the story, making Amisha’s journey one that feels authentic and relatable.
The eclectic cast of characters is a standout feature of the script. From the traditional yet comically exaggerated Patel parents to the quirky commune residents and the hilariously self-absorbed videographers, each character brings their own unique charm to the narrative. Rakish Laghari, the ambitious but incompetent videographer, provides endless laughs with his over-the-top filmmaking ambitions, while Lucian Le-Monde, the flamboyant narrator, adds a theatrical flair that perfectly complements the script’s whimsical tone. The ghost town residents, including the whimsical Yuri and the philosophical Adidayo, contribute warmth and depth, making the setting feel alive and vibrant.
Elliott’s script excels in blending humor with heart. The witty dialogue and absurd scenarios keep the audience entertained, while moments of genuine emotion ground the story. The cultural tensions within the Patel family are handled with sensitivity and insight, adding layers of depth to the comedic surface. The ghost town itself is a character in its own right, with its eerie yet playful atmosphere serving as a perfect backdrop for the unfolding drama.
While the script shines in many areas, there are a few elements that could be refined to elevate the story further. The first act, which establishes the family dynamic, could benefit from tighter pacing to bring the audience to the ghost town adventure more swiftly. Additionally, some supporting characters, like Polly and Adidayo, could be given more substantial arcs to match their comedic contributions with meaningful development. The supernatural elements, while intriguing, might be further integrated into the plot to enhance their impact on the resolution of the story.
“Ghost Town, NM” is a testament to Lynn H. Elliott’s storytelling prowess. With its rich cultural context, imaginative setting, and vibrant characters, the script offers a unique cinematic experience that blends humor, heart, and a touch of the supernatural. Elliott’s ability to balance these elements ensures that the story resonates deeply with audiences, delivering laughs and poignant moments in equal measure. With some minor refinements, this script has the potential to become a standout piece, reminding us that amidst the chaos of family and life’s expectations, there is always room for love, laughter, and perhaps even a few ghosts.
I was born in Cardiff, Wales. My degrees are from Nottingham, England and the University of in Santa Barbara (MA/PhD).
I taught English and Creative Writing at California State University Chico. i was Chair of English for six years.
