A fun, wild ride with heart and humor. Recommended for audiences ready to embrace the chaos!
Overview:
Picture this: Shakespearean romance elopes with ghostly pranks, crashes into a Dungeons & Dragons session, and rounds it all out with private investigators who’d lose a hide-and-seek game with toddlers. Ghost Town, NM is a chaotic love letter to the theater of the absurd, dressed up as a multicultural comedy that doesn’t just break the fourth wall—it dances on its rubble. Lynn H. Elliott masterfully mixes tradition with rebellion, throwing in a ghost town that’s less haunted and more hilariously dysfunctional.
Concept / Originality (9/10):Ever wonder what would happen if Shakespeare, the Wild West, and fantasy RPGs had a mashup? Wonder no more. This script boldly mixes genres and themes into a brew that’s as refreshing as it is daring.
Structure (7/10):Think of it like an overzealous theme park ride: exhilarating, but occasionally bumpy. While the chaos is part of the charm, a tighter grip on transitions could keep the plot from wandering off like one of its ghosts.
Plot (8.5/10):The lovers-on-the-run story may be as old as Juliet’s balcony, but throw in gun-toting ghosts and a commune in a ghost town, and you’ve got yourself a wild new twist. The subplots—like Lucian’s hilarious vanity and the townsfolk’s spooky antics—keep the narrative lively and unpredictable.
Pacing (6.5/10):It’s like a rollercoaster that’s occasionally stuck at the top. Some moments linger a bit too long, but when the gears click, it’s a thrilling ride through laughs and surprises.
Characters (9.5/10):Each character feels like they’ve leapt out of a dream (or a feverish daydream). From Pita’s stubbornness to Adi’s scene-stealing fabulousness, this ensemble is a festival of quirks. You won’t just remember them—you’ll wish you could invite them to dinner.
Dialogue (8.5/10):Witty, snappy, and unapologetically eclectic. The cultural and fantastical references are a delight, though the deep cuts may leave some audience members Googling during intermission.
Conclusion:
Ghost Town, NM is not just a story; it’s an event—a madcap, heart-filled romp through illusion and reality that dares you to keep up. It’s a script that asks: What’s real? What’s imagined? And does it even matter if you’re laughing the entire time?
Final Rating: 8/10
Bold, bonkers, and brimming with charm, Ghost Town, NM is a glorious mess—and that’s its greatest strength. Perfect for audiences who want to be surprised, entertained, and maybe just a little bit haunted.
Know about the writer- Lynn H. Elliott
Born in the vibrant city of Cardiff, Wales, Lynn H. Elliott’s journey from the cobbled streets of Britain to the creative pulse of California has been nothing short of remarkable. With advanced degrees from Nottingham, England, and a Master’s and Ph.D. from the University of California, Santa Barbara, Lynn’s academic roots run deep.
A dedicated educator and storyteller, Lynn spent much of their career teaching English and Creative Writing at California State University, Chico, where they also served as Chair of the English Department for six years. Known for blending wit, imagination, and depth, Lynn’s work reflects a love of language and a keen eye for the quirks of human experience.
Whether shaping young writers or crafting whimsical worlds like Ghost Town, NM, Lynn’s legacy is one of inspiring creativity and celebrating the transformative power of storytelling.
What we have to say to the writer: